Changing Role of Hr Management Essay Example for Free

Changing Role of Hr Management Essay The Changing Role of Human Resources Management The ever-changing roles within human resources management (HRM), in response to trends, are from a dynamic environment and the importance of HRM. Every changing organization has a need for a HRM to respond and implement changes. The organizations driven by e-business and technology need to be ready to respond and adapt to the environmental changes and should focus on satisfying the company’s customer needs. In this role, the HRM contributes proactively to the development of global strategic plans and objectives. This essay will explain the changing roles in human resources management to the trends of: (a) globalization, (b) technology, (d) diversity, (e) e-business, and (f) ethics. Globalization The globalization of a business is the major challenge in human resources within the management of the business, new competitive aspects, and the cultural diversities are adding frequently (Gale Group, 1999). To reach the demands, the HRM is developing new business procedures and practices to adopt the shifting patterns of business. The human resources must deal with numerous challenges like maintaining proper coordination from the business activities in multiple locations around the globe. Human resources must prepare and have an understanding of the increase in global competition. The human resources departments are gaining awareness globally for the development of the human resources teams with activities dealing with the multicultural diversity. Technology The performance of HRM relies largely on the technological aspects. With the introduction and use of advanced technologies, the abilities and performances of the human resources are in need of required output. Businesses are incorporating advance technologies for meeting the demand of the consumers. This development has the human resources beginning to train continuously on the newer technologies in an effort to create processes, which are more effective. HRM is requiring changes in its practices to accommodate the advance computerized technologies and information systems (Frantzreb, 1998). All work done manually by the department must change to a more technical form to maintain and control the processes and data for a business to be more effective and productive. The technological skills within the human resources require coordination with the advance technology-based processes. Diversity The multicultural practices in business are making the environment within a business more diversified. In business environment today, a human resources professional come from multiple cultures and are working side-by-side in the same company meeting the same goals. For these professionals, it is paramount in maintaining a complete and thorough understanding of the morals, ethics, and values of the multiple cultures. The human resources professionals are developing innovative ways of managing the knowledge to deal with the diversity of the cultures. In addition, business environments that have diverse cultures are educating the HRM to perform the activities to the local consumer driven demands. Fast implementations in cultures are because of advancing technologies, which are causing the human resources to change its practices (Collins Clark, 2003). E-Business In an effort to eliminate the work burden, businesses are transforming normal operations to the e-business technological form. Business in the electronic form is causing the HRM to transform and develop newer procedures and practices. The human resources of companies have to maintain new skills and change the understanding from the brick and mortar style of business to the more advanced technological business environment, which is in a computerized form. To advance the performance levels, the HRM is starting to incorporate training in information technology to the human resources professionals in an effort to maximize the adaptation to the rapid changes to the practices for the e-business model (Mitchell, 2001). The human resources professional is requiring the computer and Internet-based business technologies to follow the accounting and marketing practices. Ethics In addition to being competitive, business professionals must maintain an even balance with the organizations ethics (Vickers, 2005). The HRM must create a business environment that is suitable with the company’s ethics policies. The HRM must maintain the interests of the stakeholders to an equal level without any discrimination. The first priority must be to the consumers’ best interest. To accomplish and maintain a balance between maximizing profits and maintaining consumers’ satisfaction, the HRM must make the business’s practices in such a manner. Conclusion Human resources management must be a major section within the business’s environment, which must adapt its roles to accommodate the ever-changing trends of the global practices. The HRM roles must not change for only a single aspect, but simultaneously alters according to all the factors. The most important aspect is in globalization. Other aspects like technology, as with e-business, makes the need for the knowledge of professionals within the HRM to be more technologically advanced. The ethics and diversities in business demand the management to maintain the vision of its employees to an equal level.

The Presence of God in The History of Plymouth Plantation Essay example

The Presence of God in The History of Plymouth Plantation The presence of God is evident in the passage from The History of Plymouth Plantation in every event significant or not. In his diary, William Bradford describes several occurrences in which God played a major role in deciding the outcome. According to Bradford, God can help or hurt according to His will. The first of these displays of God’s will in this passage was of revenge toward a sailor. He was as Bradford described him â€Å"a proud and very profane young man... of a lusty, able body.† The sailor would â€Å"always be condemning the poor people† of the Mayflower because of their seasickness. The sailor went as far as to say that he hoped to help cast them overboard before they reached the mainland. Bradford believed that God was pleased to smite this young man with a grievous disease and ironically cause him to be the first to die and be thrown overboard. This proves that Bradford’s god is all-powerful and able to seek and gain revenge against those who go against god’s chosen people. In a later reference, God helps â€Å"one of his chosen people† survive during a storm. A young man named of John Howard was coming up from below deck when he was swept overboard. But, because it pleased God, the man grasped a main line and was able to be saved. Bradford believed that because the man was saved he was one of God’s chosen people and, therefore, later went on to become an important member of their society. This incident ...

African Cinema

African cinema is inaccurate to be tagged as a â€Å"national cinema† for Africa has more than 50 states. The interaction of these nations with European countries, with the exception of some parts of the South Africa and other Mediterranean countries like Morocco, Egypt, Algeria, and Tunisia, paved for the development of film-making (Abrams, Bell, and Udris, 2001).In fact, not until 1980s, the government of the African nations failed to show compassion for the film-making which resulted to the inability to produce film that is indigenous to their own culture. This reluctance for film making was largely attributed to the prevalence of socio-political problems including drought, famine, peace and order, and the foreign debts to western countries.Consequently, the commonly referred as â€Å"Black African Cinema† was actually dominated by the European and American firms in its early period. On the other hand, as rituals and spiritual beliefs are typical to African societies , the film directors used this aspect to convey socio-political messages to the African viewers.Brief HistoryThe first initiative for the development of the Black African film-making was realized in 1966 through the creation of Film Festivals in Carthage, Tunisia and in 1969 during the Ouagadougou in Burkina Faso (Abrams, Bell, and Udris, 2001).These events farmed out for funds necessary for the indigenous film-making which eventually called for the Black African film-making pioneers like Paulin Vieyra, Oumarou Ganda, Med Hondo, Desire Ecare, and Ousmane Sembene, the father of African film.This group of film-makers was influenced by the European liberal movements like Italian neorealism and Soviet Montage Theory in producing thematic films on colonialism in African nations. Further, in 1970s-1980s, as these film-makers continue to explore the past of African nations, they progressively tackled the imperialism and colonialism themes in their film production (Abrams, Bell, and Udris, 2001).However, not only the inadequate film production has impeded the growth of film-making but also the lack of distributing networks for the local film produced. Thus, the public has continuously patronized the foreign films supplied mainly by the North American and European countries.Meanwhile, despite the influx of European and American influences, the thriller and comedy genres along with the western influences like Cameroun and Nigeria have slowly sprouted in several African regions. As such, the thematic creation of time and space like magical works of the characters in â€Å"Sarraounia† and â€Å"Emitai†, and narration or oral story-telling techniques like in â€Å"Ceddo† were employed and integrated in film production (Abrams, Bell, and Udris, 2001).These techniques specifically the time and space narration were absorbed by the succeeding generation of Black African Directors including Souleymane Cisse for â€Å"Finye† and â€Å"Yeelen†, and Indrisaa Ouedraogo for â€Å"Yaaba† and â€Å"Tila’i† (Abrams, Bell, and Udris, 2001).In addition, while the nationality of other film-makers such as Sarah Maldoror and Haile Gerima was questioned, they were called as diaspora figures for they were able to integrate the world problems on slavery in the African films.The aforementioned films signified the progress of photographic quality brought by the Burkina Faso’s modern technical facilities. As well, the universality of the themes like in â€Å"Tilai† projected the culture where it was patterned after. The theme of â€Å"Tilai† was an exploration of Burkina Faso’s cultural inquiries.That is, as traveler returns to his town, his father has taken the woman of his affection which eventually leads an affair between the traveler and his stepmother. The cultural questions, adaptation, and its relevance to fast-changing society are the crucial themes in the African Cinema.For instance , a South African film concerning homosexuality was presented in the 1995 Ouagadougou Festival and received a mass walkout from the African viewers (Abrams, Bell, and Udris, 2001).Hence, the most formidable dilemma faces by the African film-maker is the cultural and moral issues in the cinema. This menace could be alleviated through a continuous cooperation with the diaspora and other black film-makers abroad.Yeelen Synopsis and AnalysisIn the â€Å"Yeelen†, which means brightness, of Souleymane Cisse, Niankoro who is a native Bambara leaved his mother’s custody and went for a spiritual enlightenment quest. On his way, his father who abandoned them for a long period of time was in incessant chase after him for his sexuality and magical powers.Then, an ancient cosmos in the verge of death was reborn and hindered Niankoro’s will in putting off the spiritual contrivances of his father. The malicious Soma, as expecting the final battle between him and his son and to several patriarchal conflicts, said that in order to ensure success, one must learn betrayal.Meanwhile, King Rouma Boll wanted Attou, his wife, to bear a child through the magical powers of Niankoro. But Niankoro’s penis deceived him and impregnated Attou. Instead of taking vengeance against Niankoro and Attou, the king gave freely his wife to the magician.On the other hand, the mother-son relationship in the movie was portrayed by the bathing of Niankoro’s mother while praying for his safety. This scene evoked an African mother who is self-abnegation dependent (Diwara, 1988).The film started with a rising sun scene with the appearance of the burning of a live chicken. Then, a boy came into the scene that brought a wooden statue with a goat. In another setting, Soma performed a ritual with a chicken and set it on fire.The scene with the sacred objects, the wooden statue, and the pan over the Wing of Kore, foreshadowed the various secrets in the movie. The repeated app earance of these objects in the scenes denoted their crucial roles in decoding the secrets in the whole movie. With these, Cisse encouraged the viewer to take an active role in the interpretation, analysis, and discovery of each symbolic thing.In line with this, the scene of confronting two groups of warriors with a close-up scene of a knife positioned the midst of the three parallel lines on the ground and ended with the two bodies of opposing warriors implied the holiness of the men as well as the ritual objects.As similar to the spectator warriors, the viewers tend focus on the event to decode it. As the opposing warriors push one another towards the outer lines, the meaning of the ritual remained in secrecy. In addition, the trouble of one spectator warrior in controlling his horse showed his overwhelming interest for the outcome of the duel while the viewers’ anxiety to decode the mystery of the ritual rises.When one of the warriors became victorious, his group chased th e loser’s flock. This denoted the African sense of collectivism; a single individual fight for the entire group (Diwara, 1988). After losing, the warrior took the knife on the ground and committed suicide.At this point, the mystery of the ritual is revealed; the duel is a matter of life and death and the loser warrior must take responsibility for the shame and failure.As the ritual was demystified, the scene then has incited the emotion of the viewer on the consequences of the duel. In these scenes, Cisse tried to persuade every African to look deeply into the root of their culture and avoid comparison with the western culture.Although â€Å"Yeelen† is an African film, the movie tackled universal themes such as spiritual struggles and other premises of native religion. As well, the film has Oedipal and Eden-like overtones. Further, Cisse depicted the film’s Bambara natives and magical powers by means of an Albino and a dog walking backward (Diwara, 1988).Moreove r, a Hollywood movie with a character similar to Yeelen can hardly be found. Cisse tried to reveal the non-linearity of the Bambara’s belief; their religious belief is always moving back to the initial â€Å"brightness† that created the world. As the film begun with the scene of the red-shining sun, it ended with Attou with her son lifting the buried two egg-like objects in the desert.Hence, the director of Yeelen showed the cosmos’ rise, fall, and rebirth in parallel with deep respect and understanding on the shape of things.As both Soma and Niankoro were perished in the end, Attou’s son denoted the hope for renewal. The film also addressed the corruption and oppression in the African nations and portrayed the psychological aspects by means of the social experiences of the African society.Furthermore, Cisse has shown the political solutions to tyranny and oppression in Africa not through the Western tenets of democratic ideals but by means of a political inspiration from the past political experiences of Africans. Also, Cisse equqted his magical realism in the movie to the Western’s scientific realism in their science-fiction movies. African Cinema The art of film making was introduced in Africa in 1920’s but it was after almost 40 years that the surfacing of African film makers came into play. It was also during those times that the films reflected the social and the political realities to the Africans who were in the verge of attaining independence from their colonizers.The themes were usually centered on nation building and the slashing down of colonial oppression.To start off with a analyzing the differences and the influences of the colonial and post-independent film making, it is wise to describe the previous film making scenes.   The film making industry scenario was highly influenced with the highlight of colonial sensibility as the main issue, later it then centered more on the stylistic nature of the art and with emphasis on abstraction and lastly, it evolved into the center theme for independence and opinions on the wide spectrum of the effects of colonialism.In the early 1970’s the trend of the film making industry maintained an aggressive approach towards the promotion of sociopolitical freedom from colonial mentalities; but it also showed signs of revolutionary patterns such as the philosophies of communism, socialism and capitalism. Because of these themes that emerge in the African films, this further pushed forth for the exploration of various political systems and ideologies that gave rise to the Third World Cinema.In the book by Teshome H. Gabriel entitled Third Cinema in the Third World – The Aesthetics of Liberation describe the ideas of Third Cinema as the perfect marriage of filmic experiences such as style and ideology.   Ã‚  He even went further by expressing the motives behind the production of the African movies as a way to express their ideologies towards various social issues and at the same time put forth a consciousness to the audience; in short these African film makers are activist rather than artists.The main characteristics of films created by th e new wave of African film makers and writers, is the painting of the wide contradiction between the political independence and the society’s present structure that they inherited from colonial influences.Moreover, there are also the issues of running the state with bilingual orientations and the crossings that their culture has to endure further with the coexistence of different patterns of life in a single society.Aside from this political weight, the direction of the African film making pointed out to Islam and how it thrived despite the domineering effects of foreign colonialism, and it is even more interesting to note that the religion spreads faster than independence.During the African colonial years, film making did not center much on the emphasis of religion and its cultural effects and in fact this even went as far as manifestations of anti religious claims in the industry; however, this change with the rise of contemporary post colonial film making.Other characteris tics cited in this new type of movies is the revival of the connection between social opinion and social inclusion, that means to say that the protagonist in these stories are mostly social inclusion done in a narrative manner.African directors used the films that they create in order to inculcate the culture of change; mostly these films shows the connection and the effects of the pre-colonial, the colonial and the post colonial societies in Africa.

Investigating A Major Drug Trafficking Operation Within My...

According to the scenario I’m a police officer on a task force investigating a major drug trafficking operation within my jurisdiction. As an investigator on this assignment I have been issued a wiretap order by a judge in my jurisdiction in order to listen to the suspect’s phone. While listening to some phone conversations I overhear the suspect and others talking on the phone but it has not been yet determined if they are involved in the drug ring or not but I do overhear some evidence related to some other criminal activity. Now the wiretap was done in order to get certain information on the drug dealing but there was other information obtain in the wiretapping about some other criminal acts which can fall under the forbidden fruit doctrine because I never entered the home and everything was heard. Therefore, this could be considered new found evidence that may led to an arrest in some more serious crimes from the person or persons. Yet, the Fourth Amendment does not allow or give people an absolute right to any privacy and all searches are not prohibited by the Fourth Amendment just the ones that are unreasonable. Therefore, I feel that no constitutional issue is involved because some would say that the person Fourth Amendment right was violated but unfortunately it was not violated. There was no search of any material things such as the person, the house, his paper or any effect because all information was received by a legal wiretap and the amendment does not forbidShow MoreRelatedI Would Like To Identify And Describe The Major Functions1667 Words   |  7 PagesI would like to identify and describe the major functions of the four agencies within the Department of Justice. I would like to start with the Bureau of Corrections. I chose this one first, because I work for the Department of Corrections. The Federal Bureau of Prisons (FBOP) or BOP is a United States federal law enforcement agency. 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In July 2013, Federal prosecutors charged five men responsible for a hacking and credit card fraud spree that made companies lose more than $300 million and two of the suspects were taken to custody in what is termed as the biggestRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesbegin to comprehend the causes and consequences of the Great War that began in 1914. That conflict determined the contours of the twentieth century in myriad ways. On the one hand, the war set in motion transformative processes that were clearly major departures from those that defined the nineteenth-century world order. On the other, it perversely unleashed forces that would undermine Western world dominance and greatly constrict the forces advancing globalization, both of which can be seen